This is a rhetorical question: why did I ever think that working with slippery pink satin for my toile for the V8721 shrug was a good idea?
Oh yeah, I remember: I want this to be a wearable toile in case it works out. I'm absolutely sure that I'm not going to wear a toile made from faded, floppy sheeting but I can see myself wear something made out of this lovely pink fabric.
But oh boy, is it horrid to work with!
I had to re-cut one of the two big pieces because the lower layer of fabric slipped under the top layer. The lesson from this is: use pins and not fabric weights on really slippery fabric - I had no idea how much a fabric like this can slide around while you're busy cutting it out.
And in case of any doubt: use at least twice the amount of pins you think you'll need! If not more...
Horrid stuff.
But such a lovely colour! And the sheen!
I might sing a different tune once I get this done, but for now I'm just not looking forward to the sewing part. I can't help myself: I feel a headache coming on!
I bought this great book on garment construction. The Fashion and Textile Museum in Bermondsey are selling an interesting collection of fashion design and pattern books. I already own a few they sell so I didn't think I would be spending money when I went on Saturday. Then I leafed through this one. Must investigate further but it looks really good. And useful!
We saw this exhibition at the FTM:
It was wonderful. Very inspiring.
The first room, the Royal Room, was reserved for clothes made for and worn by royalty, in particular Princess Diana. I was surprised to the see the apricot coloured Going Away dress she wore after her wedding. I didn't like it very much, the chiffony bits were a bit much.
But right next to it was an aubergine evening gown that's utterly gorgeous! It had a very interesting folded and wound 'thing' going on at the bodice/neckline area. I would have loved to see this better but the light was kept dimmed to protect the clothes. Quite rightly. This gown was my favourite in the room.
It was nice to see the sketches and then the dresses IRL. Intriguing.
We were able to take pictures of the rest of the exhibit. There were quite a few dresses in a very romantic vein - not really my cup of tea. Some of the construction or embellishment techniques were interesting. My favourites were the satin dresses that had pleating and folding: such wonderful shapes!
I was very intrigued by some of the seam lines on other dresses. I must do a separate post on all those.
Loved it.
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